Trapstar Script Swimming Black Shorts
£119.99
- Solid black colourway
- Oversized T R A P graphic
- Mixed script lettering
- Orange-red drawstrings
- Wide relaxed legs
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Trapstar Script Swimming Black Shorts
The Trapstar Script Swimming Black Shorts use typography in a way that feels more like custom artwork than conventional logo placement. A clean black base covers the shorts, while four oversized white characters stretch across the lower front, each presented in a different lettering style.
The result is a bold monochrome design interrupted by one unexpected detail: a pair of vivid orange-red drawstrings running down the centre.
Four Letters, Four Different Styles
Across the lower legs, the T R A P characters are separated rather than joined into a standard Trapstar wordmark. The first letter uses a sharp Gothic form, while the remaining characters shift between flowing script and traditional serif-inspired shapes.
This mix of typography gives each letter its own identity while still reading as one continuous graphic across both legs.
The white artwork sits close to the hem, leaving a large section of uninterrupted black above it. That empty space makes both the lettering and bright drawstrings considerably more noticeable.
Colour Contrast at a Glance
| Element | Visible Detail |
|---|---|
| Base | Solid black |
| Main Graphic | Oversized T R A P lettering |
| Graphic Colour | White |
| Typography | Mixed Gothic, script and serif styles |
| Waist | Elasticated |
| Drawstrings | Bright orange-red |
| Leg Shape | Relaxed and wide |
| Hem | Straight finish |
Why the Trapstar Script Swimming Black Shorts Stand Out
Unlike an all-over print, this design concentrates everything around two areas: the centre waistband and lower hems. The orange-red cords draw attention downward from the waist, while the oversized white letters complete the look across the bottom.
For a darker graphic treatment with a washed surface, the Trapstar Pigment Irongate Black Shorts use cloudy pigment effects and outlined Gothic branding instead.


